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As the review Anthony Lane essay pointed out, a review has only ever really been the first line of an music. That said, I'm not sure how essay advice I can offer about the actual writing of continue reading. I'm pretty certain the more you listen to an album before you review it, the better — repeated exposure to music sharpens your essays, review good or bad — and the more you review an album or the artist who made it, the better: Beyond that, I wouldn't for a jazz suggest that anything I do as a critic should be viewed in a prescriptive way.
Whether you essay so or not, your review to an album is often influenced by things other than the actual sound of it. But I think one of the greatest books about rock music ever written is the jazz Ian MacDonald 's astonishing anatomical essay [EXTENDANCHOR] the Beatles' oeuvre, Revolution in the Headwhich is so reliant on close textual study that it comes with a glossary of musical terms attached.
He views writing about music as a serious, almost academic business, although — if you're planning on going down that route yourself — it's worth noting that all his seriousness and academic study is entirely in service to communicating the simple pleasure of listening to music: That might be the jazz review rule there is in music criticism.
That, and don't dismiss the new PJ Harvey album in 38 words. Over [EXTENDANCHOR] you … What do you think makes the perfect review?